Booth Number E067 at Hall 3.2, WANGDA SHOWCASES will attend the high level professional museum expo-EXPONATEC COLOGNE 2019 in Germany. From 20th.to 22th. November, 2019, any interested museum-related organization,company,professional and freelance is warmly and sincerely welcome to visit our booth to learn about us and our supply of museum grade display cases/showcases/display cabinets as well as discuss the museum showcases project.
Through public and open tender invitation and competition, WANGDA SHOWCASES successfully won the museum display cases project for Exhibition 2019 for Anhui Provincial Museum. WANGDA SHOWCASES will design,supply and install all the customized museum display cases/museum showcases/museum display cabinets in compliance with European highest technical standards.
WANGDA SHOWCASES is awarded with the contract to design and supply customized museum grade display cases/showcases/display cabinets for Romsey Trust in the UK.
WANGDA SHOWCASES successfully won the museum display cases project for Erlitou Ruins Museum, to design, supply and install all the high-security and high-conservation and well-sealed customized museum display cases/museum showcases/museum display cabinets for such a giant museum project, to preserve site of ‘earliest China’. Located at Luoyang, Henan of China, the Erlitou Ruins museum covers around 30,000 square meters and costs a total of 630 million RMB (US$96 million) to build.
Luoyang,as one of the four ancient capitals of China, along with Xi’an, Beijing and Nanjing, was at its peak during the Tang Dynasty (618-907), when imperial China’s only female ruler, Wu Zetian, moved the capital there from Chang’an, as Xi’an was then known, during her reign (690-705).
The Erlitou culture was an early Bronze Age urban society and archaeological culture that existed in the Yellow River valley from approximately 1900 to 1500 BC.[1][2] (A 2007 study of radiocarbon dating has proposed a narrower date range of 1750 to 1530 BC.[3]) The culture was named after the site discovered at Erlitou in Yanshi, Henan. The culture was widely spread throughout Henan and Shanxi and later appeared in Shaanxi and Hubei. Chinese archaeologists generally identify the Erlitou culture as the site of the Xia dynasty, but there is no firm evidence, such as writing, to substantiate such a linkage.[4][5][6]
The Erlitou culture may have evolved from the matrix of Longshan culture. Originally centered around Henan and Shanxi Province, the culture spread to Shaanxi and Hubei Province. After the rise of the Erligang culture, the site at Erlitou diminished in size but remained inhabited.[7]
Discovered in 1959 by Xu Xusheng,[8] Erlitou is the largest site associated with the culture, with palace buildings and bronze smelting workshops. Erlitou monopolized the production of ritual bronze vessels, including the earliest recovered dings.[9] The city is on the Yi River, a tributary of the Luo River, which flows into the Yellow River. The city was 2.4 km by 1.9 km; however, because of flood damage only 3 km2(1.2 sq mi) are left.[7]
WANGDA SHOWCASES is awarded with the museum showcases contract by Jiangxi Provincial Museum, to customize high-standards of museum display cases/museum showcases/museum display cabinets for the most new galleries for Jiangxi Provincial Museum The other museum showcases supplier, Glasbau-Hahn from Germany is awarded with the showcases package of air-purified display cases for the remained gallery.
WANGDA SHOWCASES finished professional on-site Installation for the customized museum grade display cases/showcases/display cabinets for Zhengzhou Art Museum. A 600 meters long wall display case/wall showcase brings highlight for this project.
The professional team from Wangda Showcases is now carrying on the professional on-site installation for the customized museum display cases/museum showcases/museum display cabinets for Hurghada Museum in Egypt.
WANGDA SHOWCASES won the museum showcases project from National Museum of the Republic of Kazakhstan, to customize-design and customize-build museum grade display cases/display cabinets in compliance with the world-class technology and quality standards. The museum display cases will be built by imported low-reflective glass with reflectivity less than 1% and will be equipped with electronic-mode active microclimate control system in additional to motor-driven operation system and alarming system.
Located in Nur-Sultan,the National Museum of the Republic of Kazakhstan is the youngest and largest museum in Central Asia. The museum was established in the framework of the Cultural Heritage State Programme on behalf of the President of the Republic of Kazakhstan, Nursultan Nazarbayev.
The Decree of the Government of the Republic of Kazakhstan № 675, on the establishment of the Republican State Institution “National Museum of the Republic of Kazakhstan of the Ministry of Culture of the Republic of Kazakhstan”, was issued on 2 July 2013. On the basis of a Decree of the Head of the State, Darkhan Myngbay was appointed the Director of the National Museum of Kazakhstan
The museum is located on the main square of the country – the Independence Square, which harmoniously blends into the single architectural ensemble with the Қазақ Елі monument, the Independence Palace, the Palace of Peace and Harmony, the Hazret Sultan cathedral mosque and the National University of Arts. Many values identified during the Cultural Heritage State Programme constitute the invaluable fund of the National Museum of Kazakhstan.
The museum building, with its unusual external form, is an eye catcher . The largest unique museum complex has an area of 74,000 sq.m. and consists of seven blocks with a variable number of storeys to the ninth floor. Exhibit space occupies 14 rooms with a total area of over 14,000 sq.m.
The National Museum of Kazakhstan is composed of the following halls: Hall of Astana; Hall of Independent Kazakhstan; Hall of Gold; Hall of Ancient and Medieval History; the Hall of History; Ethnography Hall; and Halls of Modern Art.
The Research Institute is the museum unit in charge of studying national heritage. Other departments and facilities include a children’s museum, children’s art centre, two showrooms, restoration workshops, laboratories, professional depositories, a scientific library with a reading room, a conference hall and souvenir stalls.
The museum is fitted out with equipment of international standard, and uses modern exhibition technology for exhibitions: a unique curved screen with a special content, working for two halls, a media floor, a dynamic layout of the central part of modern Astana, numerous media outlets, holograms, LED-technology, touch-sensitive kiosks, and a multimedia guide providing information in three languages.
The museum has developed various kinds of excursions: survey and thematic, philosophical, special programmes in the form of interactive sessions and gaming excursions.
The National Museum of Kazakhstan aims to become a modern intellectual cultural institution, a place for the analysis, comparison, reflection, discussion, and evaluation of statements on the historical and cultural heritage of Kazakhstan. As a contemporary museum, it is always an open dialogue with the visitor. This museum has done everything possible to make its visitors active participants in the conversation with history.
Permanent Collections: permanent collections are displayed in the halls of the museum which include: Hall of Gold; Hall of the Ancient and Medieval History; Hall of Independent Kazakhstan; and Hall of Modern and Contemporary Art.
Online museum exhibition: The Mawangdui Han Dynasty Tombs in Changsha, with all the museum grade display cases to be customized by WANGDA SHOWCASES.
Chapter 1: The Striking Excavation
Chapter 3: Classic Collections of Ancient Book in Bamboo Slips and Silk
Online museum exhibition: Hunanese-Exhibition of Hunan History and Culture, with all the museum grade display cases to be customized by Wangda Showcases
Chapter 1: Hometown
Chapter 2:Where I come from
Chapter 3: A land flowing with milk and honey around Dongting Lake
Chapter 4:The footprint of life
Chapter 5:Soul of Hunan