Wangda Showcases Won Museum Display Cases Project for Diaoyutai State Guesthouse

WANGDA SHOWCASES won museum display cases project for Diaoyutai State Guesthouse,to design,supply and install all the highest-standard museum grade display cases|museum showcases|museum display cabinets|vitrines for such a high-standard state guesthouse in China to host grand reception for state leaders from foreign countries.Here the state leaders of P.R.China already received and had the official meeting with over 1300 foreign state leaders,such as Russian President Vladimir Putin,Prime Minister Theresa May,German chancellor Angela Merkel,President Emmanuel Macron of France,Italian Prime Minister Giuseppe Conte,US President Barack Obama and so on.

The guesthouse is located in Beijing’s Haidian District, to the west of Sanlihe Road and to the east of Yuyuantan Park.Ancient Diaoyutai (literal translation: Fishing Pavilion) royal retreat, one of the famous historic gardens in the western suburbs of Beijing, is named after Emperor Zhangzong (1168 AD-1208 AD) of the Jin Dynasty built a pavilion for fishing here some 800 years ago.

Consisting of a number of buildings,houses and gardens, the Diaoyutai State Guesthouse (simplified Chinese钓鱼台宾馆traditional Chinese釣魚台賓館pinyinDiàoyútái Guó Bīnguǎn) is a historic hotel and guesthouse complex in BeijingChina. The hotel complex is mentioned as one of the Ten Great Buildings, a list of landmarks constructed in 1959 for the 10th anniversary of the People’s Republic of China.Now Diaoyutai State Guesthouse already becomes the first place for state leaders of P.R.China to hold important foreign affair activities and to have the highest level reception to welcome state leaders from other countries.

 

On-site Installation by Wangda Showcases for New Galleries for Hunan Museum

The experienced installation teams from WANGDA SHOWCASES started professional on-site installation for delivered museum grade display cases|museum showcases|museum display cabinets|vitrines for new galleries for Hunan Provincial Museum.

 

WANGDA SHOWCASES Won Museum Showcases project for Palace of Great Benevolence of Palace Museum

WANGDA Showcases successfully won the museum showcases project for Palace of Great Benevolence for Palace Museum, the national-class museum project. Palace of Great Benevolence, one of the ‘Six Eastern Palaces’. These palaces were the living quarters for the imperial concubines and their staffs. Most of the palaces have been turned into exhibition halls for the display of Chinese treasures collected by the imperial family. Palace of Great Benevolence (Jingrengong) houses an exhibition of more than five hundred ancient Chinese bronzes.

The Forbidden City is a palace complex in central Beijing, China. The former Chinese imperial palace from the Ming dynasty to the end of the Qing dynasty (the years 1420 to 1912), it now houses the Palace Museum. The Forbidden City served as the home of emperors and their households as well as the ceremonial and political center of Chinese government for almost 500 years.

Al Thani Exhibition Project

For the tour exhibition of Al Thani collections, a world-wide renowned collection from the Roal Family of Katar, a renowned Design & Architect company from France, together with the lighting and security professionals from UK and France paid a visit to Wangda Showcases,with a due diligence tour at our workshops and showrooms in addition to a comprehensive survey for our delivered museum display case projects for other museums.The visit come with the detailed discussion for the project cooperation,technology and security details for involved high-end display cases for the world-renowned Al Thani Exhibition.

Exhibition in National War Museum & National Military History Museum of Malta

The Exhibition at National War Museum and National Military History Museum of Malta.All the high-end museum display cases are custom-built by Wangda Showcases.

Hosted by Fort St Elmo, the National War Museum houses a superb collection of items which takes us back to prehistoric times. Artifacts are displayed in chronological order, commencing from the early phases of the Bronze Age around 2,500 B.C.

 

WANGDA introduced high-precision laser cutting production lines for high-precision museum display cases

WANGDA recently introduced full sets of advanced laser machine tools for increasing the fabrication precision for museum grade display cases|showcases|display cabinets|vitrines.The new laser machines tools are featured with fast cutting,ultra-high precision,neat,smooth and elegant cutting surface with no sawtooth,no damage,no avulsion.The laser system is able to easily work tightly with computer system for completely automatic operation and cut any shape of metal or timber sheets within shortest seconds.Additionally, the laser machine tools create no noise pollution and no exhaust gas.The advanced laser machine tools are very helpful with WANGDA to produce high-precision museum grade display cases.

Museum Display Cases Project for Qi Heritage Museum

Wangda successfully won the tender of museum display cases|museum showcases|museum display cabinets|museum vitrines project for Qi Dynasty Heritage Museum to design,produce and install all the high-end custom museum grade display cases for all the galleries.

Qi was a state of the Zhou dynasty-era in ancient China, variously reckoned as a marchduchy, and independent kingdom. Its capital was Yingqiu, located within present-day Linzi in Shandong.

Qi was founded shortly after the Zhou overthrow of Shang in the 11th century bc. Its first marquis was Jiang Ziyaminister of King Wen and a legendary figure in Chinese culture. His family ruled Qi for several centuries before it was replaced by the Tian family in 386 bc.[1] In 221 bc, Qi was the final major state annexed by Qin during its unification of China.

Qi Culture (1045 BC — 221 BC ), one of the Chinese excellent traditional cultures, evolved and developed mainly in the territory of the State of Qi during the late Spring and Autumn period. It embraces the vast area between Mount Tai in the south and the Yellow Sea in the east, including today’s north and middle areas of Shandong Province and Shandong Peninsula area.

Qi Culture was characterized by advocating reform and opening up, pragmatic innovation and to win by wisdom. State of Qi and ancient Greece, two shining pearls in the Oriental civilization and Western civilization respectively, showed their glories roughly in the same time period in the human history. Linzi has been famous for eight hundred years in Chinese history as the ancient capital of Qi and the birthplace of Qi Culture. From Zhou Dynasties to Han Dynasties, Linzi serves as China’s largest commercial and industrial city and China’s most important center of metallurgy, textile, chariots, pottery, lacquer, and bronze mirror casting as well as the largest distribution center for sea salt and silk, therefore got the name as Oriental ancient Rome.

 

 

Museum display cases tender for RU KLINS PORCELAIN MUSEUM

WANGDA SHOWCASES WON THE TENDER OF MUSEUM DISPLAY CASES PROJECT FOR RU KLINS PORCELAIN MUSEUM.This museum requested all the museum display cases|museum display cabinets|museum showcases|vitrines to meet strict and critical standards for anti-bandit safety,air exchange rate and also protective lighting system within museum display cases.

Like Ding ware, Ru was produced in North China for imperial use.The Ru kilns were near the Northern Song capital at Kaifeng. In similar fashion to Longquan celadons, Ru pieces have small amounts of iron oxide in their glaze and turn greenish when fired in a reducing atmosphere. Ru wares range in colour from nearly white to a deep robin’s egg and often are covered with reddish-brown crackles. The crackles, or “crazing”, are caused when the glaze cools and contracts faster than the body, thus having to stretch and ultimately to split. The art historian James Watt comments that the Song dynasty was the first period that viewed crazing as a merit rather than a defect. Moreover, as time went on, the bodies got thinner and thinner, while glazes got thicker, until by the end of the Southern Song the ‘green-glaze’ was thicker than the body, making it extremely ‘fleshy’ rather than ‘bony,’ to use the traditional analogy (see section on Guan ware, below). Too, the glaze tends to drip and pool slightly, leaving it thinner at the top, where the clay peeps through.

As with Ding ware, the Song imperial court lost access to the Ru kilns after it fled Kaifeng when the Jurchen-led Jin dynasty conquered northern China, and settled at Lin’an (present-day Hangzhou) in the south. There, the Emperor Gaozong founded the Guan yao (‘official kilns’) right outside the new capital in order to produce imitations of Ru ware.However, posterity has remembered Ru ware as something unmatched by later attempts; Master Gao says, “Compared with Guan yao, the above were of finer substance and more brilliant luster.